Through the deliberate interplay of projection and photography, images were recursively generated using a combination of projector, computer, and camera—producing what media philosopher Vilém Flusser described as “techno images.” These were then materialized as wall-high prints on wallpaper and installed precisely at the sites where they were created.
The exhibition was also supplemented by several image sequences; these showed, for example, a swing through the room, a dance around a corner, or a view along characteristic room details.
The result was a layered mise en abîme: a recursive dialogue between representation and reality that turned photographic reproduction into a profoundly analogue and spatial experience.
This work challenged conventional notions of perception and truth by collapsing distinctions between image and environment, prompting viewers to reflect on how context shapes meaning and how the act of seeing itself can transform space.